l avoid any symbols

I have noticed that in my works I am trying to avoid any symbols, if there are any that I can find, I repaint them. I knew this but I had not written this thought down yet. At least I do not consciously leave symbols in my works to leave myself and the viewer as much space as possible for interpretation or simply perception. I believe that interpretation and naming are not necessary – art can be experienced through the skin. Work from yesterday and today.

Do I like this painting? I do not know yet. It’s too fresh.


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  1. […] I avoid any symbolsThis post represents a crucial philosophical foundation of my practice. By consciously avoiding symbols in my work, I create space for more open interpretation and direct experiential engagement with art. This approach aligns perfectly with my study statement’s emphasis on exploring the space between abstract and figurative forms. The decision to avoid symbols isn’t just an artistic choice – it’s a methodological approach that allows both the artist and viewer to experience art “through the skin,” without requiring intellectual interpretation. […]

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